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Mukhtar Auezov

Материал туралы қысқаша түсінік
Mukhtar Auezov was a Kazakh writer, a social activist, a Doctor of Philology, a professor and honored academic of the Soviet Union
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Автор материалды ақылы түрде жариялады.
Сатылымнан түскен қаражат авторға автоматты түрде аударылады. Толығырақ
31 Қазан 2021
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Mukhtar Auezov was a pioneer of the best traditions that have developed in the history of Kazakh literature. Along the way, he was a researcher of the history of literature, a writer who made a great contribution to the art of speech, and raised the status of Kazakh literature to new heights with his works written in a new quality.

A powerful, multi – channel branch of the great painter's works is his prose works. He clearly showed his artistic talent through his first story, called" the day of the defenseless " (1921). In the story, the tragedy of the main character Gaziza is associated with a violent storm of nature. Auezov brought an example of classical psychological prose in Kazakh literature, depicting chastity and beauty in the face of injustice and immorality. The skillful interweaving of plot and compositional integrity inherent in the genre nature of the story, the ability to reveal the soul of the main characters in the context of time and space, showed that Kazakh literature has a unique artistic style.

The writer expressed his civic ideals in the following story" The Learned citizen " (1922). Not everyone who reads is wise. The writer raised the responsibility of the Kazakh intelligentsia to the level of a global problem with the people by means of an impressive artistic representation of such ugly acts as similarity, concordance, betrayal in the main character of the story.

The story of the Kazakh writer "Kara Sulu" (1925) is one of the best examples of prose. Karagoz's conscious and unconscious actions at the climax of the story, the energy of the soul and the energy of the body are skillfully described. The stories" kyr paintings"," orphan"," who is to blame"," in the Shadow of old age"," extinguished-burning"," innocent girl"," traces"," Berkutchi", etc. – show that Auezov is a master of a small genre of prose. In the works of the writer, it is characterized by a multi-network connection of human activity with socio-social conditions, a more saturated and complete transmission of deep details of the psychology of the hero, the picture of nature, the breath of life of the people, and National behavior.

The best stories of auezov, written in the late 1920s, "the story of Karash-Karash" (1927), "Kili Zaman" (1928), "Kokserek" (1929), are a unique artistic phenomenon in the genre of prose. The artistic power expressed in the genre of storytelling is revealed in these stories, spreading its wings wide. The main character of the" Karash-Karash story " Baktugil is a person of high spirit. "I don't know," he said. Murder is the most serious of human sins. In the story" the story of Karash-Karash", the image of a brave man who opposes social injustice is embodied, impresses with the depth of his inner struggle. Nature itself, combined with the inner psychological aura of the main character Baktygul, forms a unique artistic whole.

The story" kokserek " is an independent work on the subject. In world literature, there is a tradition of transmitting the "psychology" of the Wolf, the common beast-bird. The destruction of the relationship between man and nature is an eternal theme. The story" kokserek " was a work on this topic, which came from the point of view of the Kazakh concept, living knowledge and was included in world literature as a new artistic phenomenon. Later, this tradition was continued in the works of Sh.Aitmatov, M. Magauin, etc. The epic scale of the work" Kili Zaman", the depth of psychological emotions of the characters, the dynamic development of characters in the context of social conflicts, the spirit of the people, the desire for freedom, the ability of the great writer to master complex topics, a wide range of views.

No matter what topic the writer writes, he has mastered the psychology of Man, its layers and layers, and has mastered the topic that was often raised in Kazakh literature at that time in a completely new way, in his own way.

So, in conclusion, M. Auezov is a scientist-writer, a giant of artistic thought. The depth of the worldview of the great thinker, a different style of thinking and way of thinking will amaze subsequent generations.

Auezov's epic" The way of Abai " is not only a work of art, but also a steppe saga, which is imbued with the history and philosophy of the steppe, embroidered with artistic thoughts about the realities and traditional life of our nation. We know the character of the work and the ability of the writer to create a portrait, such as a language. Its legitimacy is a powerful impetus for the development of art and literature. The main character of the epic, taking a historical person, was a unique artistic technique that was included in world literature. The example of M. Auezov's skill in portraiture has influenced modern literature. The ability to transform and transform images in his works with skill has become widespread, and characters of diverse appearance and character have come to life. Especially successful is the type of portrait - psychological portrait. The ways, methods, and forms of creating a portrait of a writer have increased.

The appearance of auezov's characters is combined with soulfulness, creates a whole attractive world, complements each other. Through his appearance, the soul of the character, the vibration of his heart, is skillfully revealed.

In the images created by Mukhtar Auezov, we see not only the human appearance, but also the dream and imagination of both the hero and the writer. The images of Abay and Togzhan are the result of this. Because of the character qualities, the writer's color brightens, changes: once the phenomenon of the soul of a fragile soul shakes your soul, now you dive into the gorge of thought, once again you are afraid of the horror of the gray face.so it goes away. But the artist's goal is to reveal the depth of the character's touch. All the colors, The Strokes, the appearance – everything was subordinated to this goal.

The writer skillfully makes various movements in the transmission of the image. "I'm sorry," he said, " but I don't know what you're talking about, and I don't know what you're talking about."

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