TOPIC: WE HAVE FAMILY
HAPPINESS.
Author: Manap
Nuray,
Kyzylorda oblast, Shieli
district,
School gymnasium № 45 "Ak
Orda",
6 pupil of "B"
class
Leaders:
Shaimerden Azatkhan
Serikovich,
Drawing
teacher.
Nurmanova Aliya
Dairabayevna ,
English
teacher
In the Kazakh steppe, the
ornament is developed in different ways. Each month of the country
has its own style and
specifics.
Ornamental patterns were used
in traditional products of the Kazakh people: weaving, carpets,
jewelry, carpet weaving, algae, woolen articles, portfolios,
garments, knitwear, embroidery, knitting, decoration and cutting.
The content of the article suggests cattle breeding, hunting land
and water, migratory scenes, and external images of everyday life.
Each ornament is used to decorate, name, and use it in the
home.
Scientists believe that
currently only 230 species of Kazakh national ornament are
identified.
Alkey Margulan divided
ornaments into four groups. They are: cosmological, zoomorphic,
vegetal, geometric expressions. These include the appearance of
external animals, horns, nails, neck, feet, etc. (or zoomorphic)
species. Zoomorphic ornaments are commonly seen in ornaments, such
as cedar, cuneiform, gypsum, or chandelier.
[1.98b]
The ornamental patterns on the
side of the skull are often painted vertically, and the beds are
almost entirely decorated with a certain rhythm. Sometimes it is a
combination of vegetative patterns and a composite composition. The
traces of the beasts of the beasts are built on the glaciers,
sandwiches, orchards. You can also find this expression on the
edges and corners of your home furniture. In a zoomorphic
expression, the abstraction form of four herd bears a special
place.
An example of this is the
ornamentation of raspberries, quails, tomatoes, botany, hashish,
jellyfish and many other. The carnation symbolizes the whole life
of the Kazakh people. In some cases, it is converted to oats,
blackberries, arachnids. The ram is made up of four branches and
the middle is like a cross. The quadruple ornament is widely used
in embroidery. The wooden surfaces are sometimes sliced to the
center, sometimes to the
corner.
In wooden products, zooomorphic expressions,
called foxes, jackals, hawks, jackals, birds, butterflies, quails,
climbers, and flies can be found. They are widely used for
embroidery, especially for beds. Another type of Kazakh ornament
commonly used in home furniture is plant ornament. They are often
found in domestic wooden products. It is found in the form of a
leaf, flower, studio, leaf, spruce, root, and new tulips of the
overall plant design.
Ornamental patterns are often
dyed horizontally and vertically on the surface of the crankcase
and clamps. On the grinding wheels, these ornaments are
interconnected and connected together. Plants produce a variety of
wooden products depending on the craftsman's taste. The craftsman
used it individually, according to his taste. In wooden products,
plant marks are stitched, rolled, or rooted in a
circle.
So, in short, our people
valued crafts and ornaments from the earliest times. Still, it
seems like it's been forgotten. Modern designers and artists do not
use the ornament of the Kazakh national ornaments and do not embody
their works. In outdoor advertising, home furniture is less common
in home interior, some do not even use
it.
Many choose European or
Oriental (Chinese) styles. Where did the designer come from, and
where did he come from? Of course, we do. That is why we do not
tolerate the erroneous generation, the generation of our future,
for the national
handicrafts.
There is a great deal of ways
to prevent this, including improving the status of fine arts,
introducing systematic training of applied arts in all schools.
What we have to do is, first of all, to create a sense of national
consciousness of the younger generation, secondly, to open the way
to the young talent, and thirdly, to deepen the attitude of the
ordinary people, who appreciate the overall art. Today there are
craft books about crafts and ornaments, but there are no books for
children in school. There are a lot of young people who are
interested in handicrafts in secondary schools, but few teachers
are learning.
Aesthetic education should be provided to
schoolchildren by teaching the folk crafts. From the very first day
of school life, the art of learning, as a means of shaping a
child's outlook on the world, teaches the world to be perceived in
a uniform sense, evaluates and figuratively shapes.
Having mastered artistic activities in
various art forms, the person not only learns the practical skills
of the artist, but also carries out creative ideas, and also
teaches himself a
sophistication.
She gains the ability to find
the beauty of what she sees in her everyday life, her ability to
imagine, develop, analyze and analyze creativity. These qualities
are needed for everyone. The owner of any business will do the job
even if he has the ability to master and use visual
aids.
To solve the above issues,
first of all, it is necessary to increase the professional training
of artists-teachers, to improve the quality of education, secondly,
to ensure the financial condition of artists-teachers and to raise
their legal status, and thirdly, to increase the care for national
arts and culture, support for cultural heritage at the state level,
and publishing smaller magazines for students, students, and
handicrafts, and craftsmanship husband passed as a subject in
school, youth enterprising, promote national culture süyuine the
future rewards are
obvious.
Famous artist Abilkhan Kasteyev asked "Where
did you learn from ornaments?"
"From the source of the
mountain,
From the sheep's ear,
From my mother's felt
From the horns of the goats.
"
And I would answer that question from my
elder sister and grandfather in the village. In my understanding,
ornaments are precision, accountability, equality, equality,
harmony, harmony, decorative, artistic, coincidence, cleanliness,
tenderness, love, reasonableness, warmth, beauty, thought,
intelligence, intelligence, good mood, inspiration , educates,
craftsmanship, skill, flexibility, accuracy. Love for art, love for
beauty, passion collection. The heart is warm and
delicate. The reason for studying and
protecting today's topic is the education of these people. My
father is a master-clerk who teaches hooks and whistles on the
whip, and my grandmother is a master who teaches young women to
sneeze, sew napkins, and sew napkins. I am always proud of the
things that are made of their hands. In the future I would like to
learn from those men and to implement
them.
References:
A. Margulan. Decorative
Arts in Kazakhstan.
Almaty
1986
2. Seit Kenzheakhmetuly.
Traditions of Kazakh cultural
traditions,
Almaty,
2006
3. Kazakh culture.
Encyclopedic
Reference.
Almaty: "Aruna Ltd.",
2005
4. Z. Mukhamedzhanov
Kazakh table art.
Cognitive Publication.
"Almatykitap" publishing house,
2009
5. National costumes of the
Kazakh people "Almatykitap" publishing house,
2011
6. Toktabayeva Sh.Zh. History
of Kazakhstan, 2004
№4
7. A. Iskakovna Sukhak Art
"Almatykitap" publishing house,
2007
8. Omirbekova Kazakh
ornaments.
"Almatykitap" Ltd.,
2005