TOPIC: WE HAVE FAMILY HAPPINESS.

Ministry of Education and Science of the Republic of Kazakhstan

Kyzylorda oblast, Shieli district

School gymnasium № 45 "Ak Orda"

TOPIC: WE HAVE FAMILY HAPPINESS.

Section: Ethnocultural

Author: Shaimerden Azatkhan Serikovich 

2018 year

Introduction

        The golden cradle of the "steppe civilization", which is a heritage of the Kazakh people from ancient times and from generation to generation, has long been associated with the history of the country with its cultural history, has been created in the Great Steppe. The Kazakh people are a direct hereditary pastor of the ancient culture on the land of the republic, rich in wealth and tradition, prosperity, further revival and enrichment.

Looking at the development of the culture of brown humanity from antiquity to modern times, we see that intercultural dialogue and intercourse are continuously interrupted. Famous scientist LN Gumilev says about the nomads: "The nomadic culture of the first century before our era was unique. Moreover, in XVIII-XIX centuries. higher than nomadic culture.

Traditional culture of the Kazakh people has started centuries ago and the importance of knowing the historical traditions and legitimacy of culture is increasing. We believe that the ancient culture has become more and more full of people with the influence of culture from outside. After all, there were many changes in the work of the Kazakh people. It has changed the culture from outside, depending on its lifestyle.

XIX century In the second half of the 20th century. At the beginning of the traditional Kazakh handicrafts were able to reach the highest level of development and take their place in life. Today, in our opinion, comprehensive ethnographic study of Kazakh crafts is important both for science and for life experience. Kazakh handicrafts are one of the main branches of culture in the development of common Kazakh heritage. In our opinion, today's demand is to study and learn the national culture. As one aspect of national culture is craft, that is, ornamentation, a comprehensive study of the traditional requirements of craftsmen is the future of young people. Craft is an invaluable heritage. We need to defend it and support it. [Box / page 2.54]

The relevance of the research is that the modern designers, artists use the national ornament ornament in their works, respecting the handicraft, ornamentation of our nation. Low use of outdoor advertising, home furniture, children's toys, school life, home interior.

The purpose of the research: to introduce the richness of the Kazakh people to the genealogy of the young generation by introducing the rich meaning of the treasure-trove of artifacts as a legacy of inheritance.

Research objectives:

- acquaintance with own ornament of each historical period;

- The nature of the ornamental ornament reveals the history of folk art, the beauty and elegance of life;

- Get acquainted with the rhythm of the rhythm and the types of ornaments created on each recurring harmony;

- Learn how to use the names of ornaments in life;

- acquaintance with study of the power of the Kazakhs on human qualities;

- search for ways to absorb the value of children in order to keep them valued in the future;

The expected result of the research is that the ornament is a combination of accuracy, accountability, equality, equality, harmony, harmony, decorative, artistic, coincidence, cleanliness, tenderness, love, reasonableness, warmth, beauty, thought, intelligence, intelligence, an inspiration, an agility, a sense of professionalism, mastery, flexibility, accuracy; I started to build love for art, love of beauty, my love set; I found ways to introduce ornaments in school life, everyday life;

As the art of the Kazakhs developed, the breathing expanded and the art forms all over Kazakhstan. The development and development of art in every region is of great importance for the neighboring peoples.

Improving the artifacts of our ancestors - the work of today's youth, with the advent of the ancient work of the people, the art develops more developed.

Kazakh speaks of "art-red language." However, painting appears to have existed before this language. Because of the stones that remained from the Stone Age centuries ago, ornaments, it seems that human beings are trying to express their idea too early. [1.28b]

At the time of the first church building, people living in the cave had painted their life and painted them on the cave walls. This is stated in archaeological data and scientific works. Since then, BC. V-III centuries The ornaments found in the Pazyryk mounds of the Saka era are those that are not mirror-free from our present ornament. Therefore, even if our flag is still in existence, even if it is not a nation, the language of ornament is the same as the language of our modern ornaments.

The history of fine arts has been observed even before the linguistic art is formed. There is no doubt that jewelry gold found in Berel's barn is the basis of the material wealth of the Kazakh people. Scientists have discovered that the jewelry industry has grown to the forefront of development, with its hunting style. The golden carvings found in Zhetisu, Shiltinsky Plateau are also very high tastes, with the exception of masterpieces, and even today's masters can not do it.

Ornament (Latin, decorative) is a systematic rhythm designed to decorate a variety of objects, architectural buildings, and patterns for each recurring harmony. National ornaments have been developed in close cooperation with the formation of the Kazakh people and the culture of other peoples of Asia, which now resides in the republic. It is clearly seen from medieval architectural buildings in bricks and geometrical ornaments (mausoleum of Aisha-bibi, Ahmet Yassaui). Traditional textile designs of brown ornaments have been made to improve the appearance of wood, horns, bones, metal and leather on the table.

The ornamental art was the basis of the common decorations of all types of Kazakh crafts since ancient times.

The word literally means one word. In the word of this word, it means to cut or cut something, or to cut through two pieces, to pull over something on the surface.

The expression is a common name for various types of art, ornaments, ornaments, ornaments, painting, painting, and dipping. Therefore, ornamentation is said to be parallel.

In general, the Kazakh people enjoyed ornamentation. Having looked at ornaments in hats, he recognized that he was a descendant of the nation, who knew the Kazakh, the Uighur, the Tatars. The Kyrgyz are called "rabbit horns", "mascot", "horned horns", "almonds" in Uyghur, "shada", Uzbeks are called "cotton flowers" and "almonds". Depending on the nature of the Kazakhs, the division divides into three groups: equation, gesture, twilight. The Kazakhs found the name of the ornament they had made. These names have been properly applied to their lives. Each historical period is distinguished by its original ornament. An ancient mosque, without a dome ornaments, did not work. The nature of the Kazakh ornament reflects the history of folk art, the beauty and elegance of life. [3. P. 316]

CHAPTER I Types of Kazakh Ornament

    In the Kazakh steppe, the ornament is developed in different ways. Each month of the country has its own style and specifics.

Ornamental patterns were used in traditional products of the Kazakh people: weaving, carpets, jewelry, carpet weaving, algae, woolen articles, portfolios, garments, knitwear, embroidery, knitting, decoration and cutting. The content of the article suggests cattle breeding, hunting land and water, migratory scenes, and external images of everyday life. Each ornament is used to decorate, name, and use it in the home.

Scientists believe that currently only 230 species of Kazakh national ornament are identified.

Alkey Margulan divided ornaments into four groups. They are: cosmological, zoomorphic, vegetal, geometric expressions. These include the appearance of external animals, horns, nails, neck, feet, etc. (or zoomorphic) species. Zoomorphic ornaments are commonly seen in ornaments, such as cedar, cuneiform, gypsum, or chandelier. [1.98b]

The ornamental patterns on the side of the skull are often painted vertically, and the beds are almost entirely decorated with a certain rhythm. Sometimes it is a combination of vegetative patterns and a composite composition. The traces of the beasts of the beasts are built on the glaciers, sandwiches, orchards. You can also find this expression on the edges and corners of your home furniture. In a zoomorphic expression, the abstraction form of four herd bears a special place.

An example of this is the ornamentation of raspberries, quails, tomatoes, botany, hashish, jellyfish and many other. The carnation symbolizes the whole life of the Kazakh people. In some cases, it is converted to oats, blackberries, arachnids. The ram is made up of four branches and the middle is like a cross. The quadruple ornament is widely used in embroidery. The wooden surfaces are sometimes sliced ​​to the center, sometimes to the corner.

In wooden products, zooomorphic expressions, called foxes, jackals, hawks, jackals, birds, butterflies, quails, climbers, and flies can be found. They are widely used for embroidery, especially for beds. Another type of Kazakh ornament commonly used in home furniture is plant ornament. They are often found in domestic wooden products. It is found in the form of a leaf, flower, studio, leaf, spruce, root, and new tulips of the overall plant design. Ornamental patterns are often dyed horizontally and vertically on the surface of the crankcase and clamps. On the grinding wheels, these ornaments are interconnected and connected together. Plants produce a variety of wooden products depending on the craftsman's taste. The craftsman used it individually, according to his taste. In wooden products, plant marks are stitched, rolled, or rooted in a circle.

This widely spread pattern of the ornament is the abstraction of the tree trunks. The following widespread use of this ornament is a type of leaf. The foliage, especially the individual and grouped images, has been found to be very popular. Household furniture is often seen in a geometrical ornament. It takes place almost in all the products, often in the form of a general composition, while maintaining a sophisticated ornamental ornament, with an inclined position. Occasionally, the dashed line is drawn in 40 to 50 points. It is engraved on the edges, sides, and sides of the furniture. Often, in the middle of the abdomen, a circle is drawn in the form of a line. There are also geometric ornamental triangles, rectangles, rectangles, crosses, oval shapes in household items. Cosmological ornament is widely used in Kazakh furniture. It is in the midst of the surface and in the middle of the surface, often reflected in the sun, with small asteroids, clouds, and waves. In the 19th and 20th centuries, some of the furniture from the hands of the Mangystau masters have a lot of stars, honey and hay. Wooden products widely used cosmological ornament designs such as "star", "lantern", "quadruple", "endless" and "chest".

These ornaments are mainly made of wooden products several times

repeatable and rhythmic. Cosmogonic ornamentation has been relieved in the middle and edges of the home furniture. For example, the image of the sun and its rays are rounded in the center of wooden items, and the moon image is often expressed in the form of a new moon. [Box 3.319]

"Horn" is the oldest style of Kazakh ornaments. This element of ornament is derived from the hornbeat. The ornament of "Muyez" is sometimes small, sometimes large. Small types are used in the delicate handicrafts such as wood, bone, and horns. Large types are used in various kinds of syrmak, tekemet, alasha, carpet and architecture.

The elements of the horns are "minted", "dumplings", "sorghum", "chamomile", "blackberries", "maralme", ​​"melon", "raspberry". species. "Horn" is used in household furniture (carpets, syrmakak, tekemet, alasha, blanket, tukkiiz, şışi), household items (sledgehammers, slaughterhouses, gloves, gunpowder, torso, etc.) , tumbler, torso, bows), clothing, horseback riding (horse-drawn, village), but in general, this element has no place to use.

The ornament "Koomu" represents only the two horns of a sheep, a goat, a cow, and sometimes "rhythm", sometimes referred to as "hinges". The ornament reflecting the horns of animals such as sheep, goats, cows, deer, and deer, used to decorate home furniture and household items, clothing, and weaponry. At present, the double-edged ornament is inserted into the saucel, the hood, the edge, the front of the jaw, and the boot.

The orchard, ornament, is a type of ornaments symbolizing the sheep's horns. This element is very similar to the "butterfly", but it is much more scarce and more branched (carpet, furrow, cheese, table, cloth and home furniture).

 The ornament "Koshkarmuyuz" comes from the roof of the sheep and the horned horns, with two horns coming out of the other horns, which are used to cover the ears.

The person who saw him was noticed by a bearded lamb. It can be found in all kinds of teeth, whiskers, alaşasha, carpets, leather, bone, wood, jewelry. In wickerwork, this carved thread is made of colored cloth and is welded in the form of a pencil, in the form of an ornamental pattern.

Ornamental horns are one of the ornamental patterns of the horns, which are joined by branches. It is often depicted in a circle or circle, sometimes fragmented like a branch of a tree. Multiple points connected to each other are horned. (Hawkish, tuga, kerim, syrmakak, tekemet, architectural architecture).

"Crumbling" creates a broken rectangle with four broken edges. This ornament is used to decorate various carpets, rugs, head scarves, and various folders, and look like the broken horns.

The orchist ornament depicts the doves of a camel. The most common element in the ornament ornament for sour, cracked, nuts.

The ornament «Шыныгүл» flourishes. This expression is similar to the "bullshit", "jump". The ornament "Shygyl" consists of elements similar to the moon, horn, leaf. The leaves are placed on both ends of two horns, and the leaves are repeated repeatedly.  Flower ornament implies all kinds of flower plants. The form of this expression begins with three ornamental ornamental patterns, and it is found in handicrafts until the twelfth deciduous ornament. The table tears and puts on the coast, pockets, and edges of clothing.

Orthodox ornament is a complex ornament that combines multi-faceted hinge and multi-point horns and geometric shapes. These patterns are made up of many subjects (jailau, forest, flat steppe, spherical Sahara), which come into contact with the surface of matter.

The "Tyumen" ornament is a complex ornament detailing a camel's footprint. Sometimes it looks like the "snow," "the snow," or the "redhead" ornament. Two slanted S-shaped lines are not joined in parallel, two half-oval round-shaped thread, similar to a camel's foot. There are many floral and soothing foxes called quails, which are two half the same as that of the camel, which is sometimes referred to as "plate" ornament.

The ornament "Sengorkesh", as expressed in the word "smokey", is like a horn, like a hump, with a horn, duplication and infinity. This expression is essentially made up of "roasted" elements.  The "Baldak" ornamented with a golden eagle, comes in a half-bush shape, like a shoelace, with a high head worn over his wrist. The balcony pattern combines with one another, tackles the circle and creates a complex expression. The ornament is used to decorate felt items, to decorate the table, or to engraving on a material surface.

The ornament "Karmak" implies the usual catch of a fishing rod. The barman's expression has two or three occasions, sometimes even more, sometimes called anchor symbols.  The phrase "comb" looks like a haircut that is used daily. This expression is used in some cases, used in some cases, and consists of several loose bands, similar to the comb.

The ornamental pattern is similar to the bead necklaces. The most common type of Kazakh ornaments. Designed by a highly skilled companion, the "double" creates a single composite expression system. Ornamental patterns are applied to the gloves, pallets, rings, and often used in jewelry.

 The word "watercolor" refers to a strip of every expression. The watermark creates circular, rectangular images with a wavy line in two straight lines. This ornament is also called "pale flames", sometimes called "pearl".

Ornaments "Alasha" and "Alamys" are made of multi-colored strips. Sometimes, in the same stripes, there are colorful ornamental patterns of geometrical shapes or "horns" of the form. This "puzzle" consists of short, sometimes long lines, which are as competitive as the chessboard's pentathletes. This expression can be found in packaging, in the terminals, carpets, alga, bone formulas.

 The expression "Ashat-yuak", or "pearl" is sometimes also called the "pearl" ornament. It looks like a flipchart.

The ornament "Botagoz" carries the ornament of the ornamental composition, or the edging of the edges of the edges repeatedly. The geometrical ornament resembling a circle of rhombs, whose appearance is like the eye of a bottle. It creates a border around the edge of the towel.

 The ornament "skeleton" is used in textile products. It implies the fallen bone of the cattle. Alasha, rope, stalk, etc. Textile products are embodied as an expression.

The "spine" is often seen in tables, ornamental shears, bone and wood products. This type of expression implies the type of vertebrate, which varies in different harmony and extends to the center and edge of the ornamental compositio.

 The ornament of the "shingle" is the birth name on the basis of the animal bones. The embossed expression is a pair of patterns (altar, felt, edge, cord, or wall decoration), which are composed of two lines.

The ornaments of "teeth" are ornamented with a chessboard, made of white color, similar to animal teeth. The table is used in the form of vertical fracture rare teal stitching, which stabilizes the angles in the suture. It is also called "teeth" and "dogs".

The "Tandauy" ornament is a diagonally-shaped expression of the relief of the animal's choosing. The expression is embedded in the tree, the carcass, the edge of the bones, the coats of clothing, and the chest of the chest. The pattern of choice is also found in other Turkic peoples.

The orange thread represents the beard's wedge, the wolf's head, the ears, as well as the so-called "beetle"

The appearance of the ornament "Egguyk" is similar to that of the dog's tail, often used to decorate the felt products (oriental doors and wooden beds) and decorate the felt items.

 The ornament of "Tulkubas" consists of oval wheels and pear images, which represent the main image of the cat, fox. The ornament is embedded in the bone, the tree, the pole, the edge of the table.

Therefore, when decorating the products with bones, they cut the bones and cut them down.

Ornaments like "Snake" and "Snake" are the motifs of the snake's skull, which call children a "no eye". This ornament implies the snake's image.

The ornament of a bird's wing depicts the ornament of the ornament or the trail of the chess-stick. The wicker, which is widely used in products, suggests the bird that flies. Nowadays, the "bird" is used in combination with other patterns

Ornaments of "Kusmoyyn" originate from the poultry neck. These are mostly made of hornbeam. It consists of horns, rhombs, and lines. All the expressions associated with the bird typical of all kinds of craft samples. [4.123 p]

The word "bird" is derived from the idea of ​​bird's eye. "Bird's" is made up of horns and lines. When cutting the ornament, the ends of the line in the center are cut like the bird's nest. "Birdwatching" as a ring or a "hinged" parable, the circle served as a link between relatives. When the bridegroomed rags came to her towel, her parents were delighted. The image of bird is a symbol of freedom in the people's understanding. As she looks at her face, her parents know that her daughter's whereabouts are good.

The ornament of "KazTaban" consists of elements of the S elements, which have a great deal of support in the expression of slaves in Mangistau. Unlike the "botamanin" impression depicted by the S-pattern of this thread, SS sees two rows of geese images. The head of the head and neck are clearly visible.

 The Cheetuy style is also called improvisation. One piece of the formula is infinitely repetitious. "Sheetu" is a piece of cloth, teak, symakak, kebejhe, clothes, ornament on the edges of the dishes.

"Irek" and "Ireksu" are sometimes formed by the fracture of straight lines and sometimes with the collapsing scrape. These lines coincide in the form of several lines. Creating an "irek" or "irregular" form sometimes creates a system of expressions such as "rectangles" and "clock", "stage" against a second round. The expression is fivefold, a jacket, a robe, and a rug by the tail. Jewelry: rings, bracelets, staples, pendants, and shells, slippers, cutlery, cuffs, tablets, and more. The "double circle" ornament resembles a cattle trademark. It is decorated with "double round" primarily carpets, ashes, sichmacks.

The ornament "Tumbarsha" is a triangle pattern. Three flowers, triangles - not only people, but also enthusiasts for pets to keep them alive. The rugs are surrounded by carpets, carpets, carpets, and medallions

 The "Kostomarsa" ornament is connected to two triangular shaped twisted teeth and creates two geometric triangles. The form of this expression does not mean to be free from linguistic origin, such as the word "talgar", but only aesthetically used as a ghost.

The Tree of Flowers is a wooden tree beneath the roof. Like a tree, this type of substance is brought to the center of the article, with its base and reflects it with other expressions. This expression is most commonly seen at the feet, sides, mirror sides, pups at the top of the lines, often in the adrenaline, and surrounded by the midline of the teeth. [5.742 pages]

CHAPTER II The country we are talking to in play

In the Kazakh language, "Arts is a red-language". However, painting appears to have existed before this language. Because the stone stones left from the Stone Age seem to have been trying to portray human beings too early in the ornaments. Their ideas are expressed in patterns and figures.

Art critic V. As Chepalev says, "The Kazakhs live in the world of ornament." All the national pieces of the Kazakh people can be seen in some of the finest examples of ornament. [6, 156b] The deep sense of each element is deeply concerned, Ornaments are the following legend stories about the meaning of the expression.

In the long run, a girl from a small village gave her a small greetings from a small caravan. A flying bird and a new bush with a flower on the surface of the towel were displayed. Parents see it;

"Oh, our daughter is in a cool, airy way," she says. it looks as if he is holding it down, "he says.

Well, she's a girl A couple of years later, the caravanserai again shaved the girl. The tower of the towel was cluttered with a picture of a man standing in the middle. Parents see it this way: "Our daughter is just like a sparrow, like a sparrow in her grave, a miserable man, and a hog on the parchment, or a hog, or something like that, a village, a joy, a wedding, and a celebration. It was customary to go. [8, 88b]

Another Legend: It was a fair khan in the past. Under its decree, the subordinates are skilled in embroidery, embroidery, embroidery, textile, and sewing, so that the inside of the house, clothing, everyday products and accessories are all beautiful and beautifully decorated. Another surprise was that they could communicate with each other in the tongue. That is why Owen was a khan.

In one day, his religion was separated, and the khan of a stranger land opened the war, and Ou Khan was taken out of his throne. It now has to destroy all the heritage, ancient traditions, ancient customs, past ethics, ancient art, past cultural heritage. But instead of the old thread, he could not find a new piece. Everything that was new did not go away for a long time. The essence of ancient art has gone down, and the masters of the art have become fewer and gradually disappear.

-Oh, khan! If you come back here, you are on the wrong side, "he said, trying to eliminate what he said, even though it was, and even when he was in contact with people. So he called it Yoy khan.

Meanwhile, Ou Khan, who was in the dungeon, heard the situation and sent the following message to the ruler of the country.

Remove it from him Khan: - Khan, you are now a great force. You have two dumbbells supporting your two shoulders. You are a soul that has come to your senses and has come to your senses. In the days of your kings and yourselves you will become as monsters. "

However, he can not keep up with what he is saying and keep doing what he knows. In the past, the people were hit by a bucket and starved. People will be killed. Ou Khan will not be able to bear it and he will send another letter.

The destruction queen underlines this letter: "The soul of the deceased is the soul of death, and it is upon you. But the flesh of the dead is in thine anxieties; If you keep trying, you will be fed by the pestilence. " Understandably, it does not understand.

One day his only son went out to the shore, dropped his furrows and went to the meat and the skin. As he tries to destroy the animals, he crashes and dies one roof. At that time, Khan cleared the boy. "Whoever destroys my son's death, I'll take it away," he said, not knowing anybody.

Hearing this, Owen Khan announced that he wanted to go to find a child. The khan pulls him out of the dungeon and shoots him on the road.

The owl takes the medicine, the equipment, and asks for a wooden beam, under a stone, hear a voice saying: "Destroy, Khan!" If the stone is lifted, it will be a fur-throated bullet. The Owl Khan immediately binds his hips and burns it and sends it to his teeth.

Owl treats and heals all the wounded birds in the khan's path. Healing the wing of a broken wing:

"Did you see the son of the khan out of wood?"

"When Khan Khan's son hit her on the way, I was wounded by a whip, a goat, a wolf, a tiger, and dropped the fish on dry ground and dropped her two eyes. Everything that he wounded was the last animal of the owls. The Khan's son is dying at the bottom of the lake, "he says.

Having come to the reality of the situation, Ou Khan returns to the house and puts the line on the sack and smashes the mystery of the khan. The destruction queen looks at the syllabus and takes a long time thinking, as follows:

"The world has gone through high-altitude mountains and overflowed deep into the deep forest and passed through the thick rock in the daytime and at night. On his way he saw a deer, and in front of him saw a stomach, and a mountain ranch. My beloved boy also had a tiger.

Flying with the birds, she also encountered the fish in the water. It looks like a rattling mice have come together. My dear son, why do not you show your enemies inside the country until you show that you are the mighty owner? You are dead, are you dead? What does this stand for? Does your child split into two, that the soul is spirit and body?

Suddenly, the khan stood up and said:

-O, false! Kill me !!! He took out his sword and spoke to Ou Khan.

Then Oma Khan answered, "Danish, sir! Do not you have a decree that says, "Whoever commits my child's death, I will take the head". - says.

"Yes, yes!" -he proud khan.

"Well, I hear you and your people know that your child is dead. "If two khan's sayings and deaths were taken, you would have been killed," says Ou Khan, all of a sudden as if he were not. Thus, the destruction of the khan will be the reason for his own decree. [7. 128 p]

If we can not solve the problem by tongue, we can be sure that it is possible to achieve artistic expression.

  Our grandparents, mothers, and daughters have long been aware of the semantics of ornaments. Semantic value. Though he made a substance, he concentrated on giving more attention to his circumstances.

   For example, in the center of the goose there are "rabbit" or "shumars", "square" or "water" orbits. The dreams of the people, who want to have a flock of sheep and goats.

The carve on the spine is a sign of courage and courage. At the edge of a man's, hero's garment, and sometimes in the hills.

  "The pain is rising, death is raised by men", "The wall of the wall is dark, it does not work", "It does not fall on the path of the path" reflects the great interest of the Kazakh camel. When a person goes on a long way, he puts his cloth on his cloth and carries it.

  "Being a tributary to the country," praised the importance of water for irrigated sowing, and in her handicrafts it was symbolically symbols of heredity and luxury such as "water", "wormwood", "stream", "floodplain", "nine hills", "barley flowers" .b. ornamental patterns.

"Turtleneck" is a symbol of eternity. It was built on a batyr, a khan's garment, a shawl, a shield. He wanted eternal life and happiness. "Kargatuyak" is the same as when it was in the hooves. This indicates that the ornament has arrived in winter. "Tumarshas" - it is not only the people who protect the mind, but also pet-dogs. The "snake", or "snake" ornament, is called "no eye" for the children's tail.

The image of "Orkesh" is the symbol of the horns of the beast and the animal, the double-hump of the camel, the double breast of the breast, not only for the symmetric equilibrium, but also the symbol of prosperity and unity.      Of course, the ornamental ornament of the Kazakh people has not been fully studied so far. As in the case of life itself, art is developing, prospering and prospering, as well as for the needs of every age, every stage. However, it is clear that the types of ornaments and their meaning are not limited to this.

Chapter III The magic of Kazakh ornaments

The Kazakh ornamentation also featured animals, as well as the horns, bird's eye, bird's eye. Even the flowers, the bush, and the branches can be seen. The reason is that the ornaments are filled with the nature of the mother. The formulas in the ornament have a very specific content. So they used them in crockery, clothing, jewelry, carpets and dumbbells. Thus, each thread was used for its proper use according to its own power. "And that was a real Kazakhstani feng shui," says Elena Gomer. But we have forgotten it for many years.

The pearl carvings are energy-informational signs that have been inspired by many centuries-old experience of the Kazakh people.

   On the contrary, we turned to the Chinese feng shui, which was not the only thing we did. Now, there is a kind of bug. This idea came to our mind after acquaintance with the Kazakhstani "Happy Matrix" feng shui program. Based on the Kazakhstan feng shui made by Elena Gomer, the author and head of the feng shui project "Enjoyable", the ancient Kazakh tribe, ornaments, were embroidered.

"These energy-informational signs that have come from the depths of centuries and have been tested by centuries-old experience of the Kazakh people, allow them to reach the inner-outer space, peace and prosperity," says Elena Gomer.

Elena Gomer has been studying traditional Kazakh ornaments for more than 10 years. It is a specialist who proves that the individual images are energy-efficient. He studied the details of the seven patterns he used to decorate national crockery, carpets and many other things in everyday life. Again, there are 19 expressions in the subject of the study.

"Feng Shui's technique based on ornamentation teaches us to control energy management, to balance natural power and balance, and to engage in joyful life, harmony, and consciousness of personal life. It is based on ancient knowledge and traditions of Kazakh people. "They are much more powerful than the world famous Chinese feng shui," says author of esoteric methodology and spiritual practices, cosmo-psychsychologist Elena Homer.

Elena Gomer is a man of our opinion that our characters, including the ornaments, are a great help to foreign talents. "Each expression is a stabilized system that has mastered a great deal of patience and stability. Ornamental patterns allow you to look into the world and to have a positive effect on the body and mind of man. He serves as a space and human intercessor, helping him to perceive and perceive many kinds of energy floods, helping to awaken the spirit and helping to embrace spiritual development, "says the author of the project.

He has not been able to conceal of the fact that today, especially the people of the country, attach great importance to the Chinese symbols. "I can not understand those who do not care about Kazakh ornaments. In fact, if you look at ornaments, you realize that its meaning is deep, and when Kazakhs did not have alphabet, they wrote with these ornaments. Each ornament has its own deep meaning. I have been working on this project to make people understand it. " He had to go to Helena for a book.

The Kazakhs also talked with the elderly in the village, creating a database of ornaments. He even drew attention to orchestras in archeological excavations. Scientists also examined her work thoroughly. All supported. "I do not understand that people are proud of China as a symbol of riches. What we want to do is how we live in the swamp, and how does it bring wealth? There is no leakage of water, so how can the wealth of the mud come from? "Says Elena Gommer, a symbol of wealth.

"We are convinced that the Prophet Mohammad also uses the camel's animal, which is a miracle of the Great Silk Road, which is the sign of true wealth." Likewise, you will not be denied the seven points of the seven Prophecies he has proposed. So, what is the meaning of Yelena Homer's motions? Dementia - it improves your health. Family trimming is a great way to improve family atmosphere and make your family happy. The motto of success - will help you achieve your goals. Monetization is a success for you, and it also affects the growth of your body. The motto of love is to say the least. Creativity is a source of inspiration for those who are in stagnant creativity. The thread on the protective mark will protect you from the negative energy, harmful stuff.

So hurry to go to Kazakhstani feng shui, brother! Elena Gomer, who is looking for Kazakhstani feng shui in Kazakh ornaments, is probably glad of the Kazakh people. The reason is that the Kazakhs will no longer go to the ash-badminton country, but to the Kazakh people.

Conclusion section

So, in short, our people valued crafts and ornaments from the earliest times. Still, it seems like it's been forgotten. Modern designers and artists do not use the ornament of the Kazakh national ornaments and do not embody their works. In outdoor advertising, home furniture is less common in home interior, some do not even use it.

Many choose European or Oriental (Chinese) styles. Where did the designer come from, and where did he come from? Of course, we do. That is why we do not tolerate the erroneous generation, the generation of our future, for the national handicrafts.

There is a great deal of ways to prevent this, including improving the status of fine arts, introducing systematic training of applied arts in all schools. What we have to do is, first of all, to create a sense of national consciousness of the younger generation, secondly, to open the way to the young talent, and thirdly, to deepen the attitude of the ordinary people, who appreciate the overall art. Today there are craft books about crafts and ornaments, but there are no books for children in school. There are a lot of young people who are interested in handicrafts in secondary schools, but few teachers are learning.

   Aesthetic education should be provided to schoolchildren by teaching the folk crafts. From the very first day of school life, the art of learning, as a means of shaping a child's outlook on the world, teaches the world to be perceived in a uniform sense, evaluates and figuratively shapes.     Having mastered artistic activities in various art forms, the person not only learns the practical skills of the artist, but also carries out creative ideas, and also teaches himself a sophistication.

She gains the ability to find the beauty of what she sees in her everyday life, her ability to imagine, develop, analyze and analyze creativity. These qualities are needed for everyone. The owner of any business will do the job even if he has the ability to master and use visual aids.

A person who is not anesthetically unstable can only see things that come from the environment, only from the textbooks instruction and prescriptions. He can not see the beautiful beauty of his neighborhood, can not imagine it, he does not understand. Why do some young people see that they break and ruin beautiful things around, which is audacious and unfit for the aesthetic idea? When it is difficult to deal with it, the person will always be upset and know what to do. Fiction is a comprehensive human capacity that provides human activity to the environment.

Young people need to be absorbed in the consciousness of these values ​​so that these values ​​can be exploited in the future.

To solve the above issues, first of all, it is necessary to increase the professional training of artists-teachers, to improve the quality of education, secondly, to ensure the financial condition of artists-teachers and to raise their legal status, and thirdly, to increase the care for national arts and culture, support for cultural heritage at the state level, and publishing smaller magazines for students, students, and handicrafts, and craftsmanship husband passed as a subject in school, youth enterprising, promote national culture süyuine the future rewards are obvious.

Famous artist Abilkhan Kasteyev asked "Where did you learn from ornaments?"       

"From the source of the mountain,

  From the sheep's ear,    

 From my mother's felt    

  From the horns of the goats. "

And I would answer that question from my elder sister and grandfather in the village. In my understanding, ornaments are precision, accountability, equality, equality, harmony, harmony, decorative, artistic, coincidence, cleanliness, tenderness, love, reasonableness, warmth, beauty, thought, intelligence, intelligence, good mood, inspiration , educates, craftsmanship, skill, flexibility, accuracy. Love for art, love for beauty, passion collection. The heart is warm and delicate. The reason for studying and protecting today's topic is the education of these people. My father is a master-clerk who teaches hooks and whistles on the whip, and my grandmother is a master who teaches young women to sneeze, sew napkins, and sew napkins. I am always proud of the things that are made of their hands. In the future I would like to learn from those men and to implement them.

Even though I am still small, I have some projects. I have a great dream to give national puppet designs to the pupils, use small ornaments to decorate textbooks, to use small souvenirs in ornaments, and to create a special crafting school.

"He that does not practice sin will find honor,

At the end of his end, "the proverb is my lifelong commitment. I am convinced that I will come to my goal and achieve my goal.

References:

A. Margulan. Decorative Arts in Kazakhstan.

     Almaty 1986

        2. Seit Kenzheakhmetuly. Traditions of Kazakh cultural traditions,

                   Almaty, 2006

        3. Kazakh culture. Encyclopedic Reference.

                   Almaty: "Aruna Ltd.", 2005

   4. Z. Mukhamedzhanov Kazakh table art.

                Cognitive Publication. "Almatykitap" publishing house, 2009

         5. National costumes of the Kazakh people "Almatykitap" publishing house, 2011

         6. Toktabayeva Sh.Zh. History of Kazakhstan, 2004 №4

         7. A. Iskakovna Sukhak Art "Almatykitap" publishing house, 2007

         8. Omirbekova Kazakh ornaments.

                  "Almatykitap" Ltd., 2005